4/17/2023 0 Comments Style koplo gelandangan![]() Using an historical approach, I construct an interpretation of these representational practices, taking into account shifts in the social meaning and function of dangdut's audience. I describe the ways in which popular print media â–˜speaks forâ–™ people, and the relations of power that define those discourses. In popular print publications, representations of dangdut as the music of â–˜the peopleâ–™ (rakyat)â–”the majority of societyâ–”have been produced with great frequency and in a variety of popular print media. ![]() The audience for dangdut has been imagined, represented, and mobilized in various ways to support the ideological interests of commercial, government, and critical institutions. ![]() This essay is an ideological critique of popular print media about dangdut, a genre of Indonesian popular music.
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